Archive for gospel

5 reasons why Beverley Knight is awesome

Posted in Female Vocalists with tags , , , , , , , on January 4, 2014 by Ain't No Other Tan

Adele, Amy, Leona, Joss, Duffy… Just a handful of the UK’s most famous neo-soul singers who have all achieved international recognition and success. And while they’re all good in their own way and to an extent, there’s one woman who blows them all out of the water when it comes to a combination of soul, technique, power, range, versatility and musicality – Beverley Knight. Bev hasn’t had a whole lot of mainstream success, even in the UK, but has received critical acclaim by many and while Bev herself may not mind or want it, it is a shame that she doesn’t have it and so many people love these other ladies so much more and believe because they’re so popular, they must be amazing. Well, here are 5 simple reasons as to why I believe Beverley is better (in my opinion but I’m also using facts and provide evidence, in case you still remain delusional) and shouldn’t be as underrated as an artist as she is:

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5) Gurl got SOUL.

Soul, like tone, is subjective – some people believe some singers have it and can connect emotionally to a song, and others could think the same person doesn’t. However, surely you can’t argue that Beverley, who grew up listening to and singing soul music and gospel all her life, doesn’t have soul? She can connect to practically every song she performs, both her own and others.

4) Gurl has RANGE!

People argue that Leona has a huge range and must therefore be better than Beverley, but here’s the truth – both their ranges span about 3 octaves but Bev has a strong, even and well-connected range from bottom to top and throughout all registers (Leona’s lower register is like breathy air whereas Bev’s is solid and well-supported, and she can go lower) and she can belt a lot higher – with consistency and ease (up to Bb5 or B5, taking on a more dramatic timbre) and even though her head voice hasn’t gone above a C#6 from what we’ve heard from her, it’s all pretty impressive.

3) She has practically perfect technique

Very few pop singers have perfect technique, but there are a handful who do have practically perfect techniques – and Bev is one of them. From her low notes to her upper belting and into her head voice her voice is strong, powerful, resonant and healthy. Adele, Amy and Leona have quite good techniques, but they have bad vocal habits and the former two were well-known to have had smoking and/or drug or alcohol addictions, meaning the more they sang while smoking and doing drugs, the more they damaged their voices.

2) She can sing Whitney songs – and sing them brilliantly

She was recently cast in the lead of “The Bodyguard Musical” as Rachel Marron and is the perfect person to sing Whitney Houston songs. She once said she wasn’t worried about singing the songs but more so about the acting – and she doesn’t have anything to worry about due to her amazing voice and her ability to sing them just as well as Whitney did – something hardly anyone can do. While her tone isn’t the same and might not be to everyone’s taste, she is in fact a superior technical vocalist, enabling her to have no trouble whatsoever with these songs.

1) She is a consummate musician

Beverley writes or co-writes 90% of the music she records, with only a handful being covers or written by other people, and she is an accomplished pianist (though doesn’t play it live that often). Check the video above of her performing the song “Gold” that she wrote and playing the piano with flawless vocals – even while clearly tired and slightly out of breath at the beginning when talking. Her technical skills of lyrical phrasing, riffs and runs and interpretative abilities when singing other people’s songs (which she usually injects with a bluesy, soulful or gospel twist – see second video below) is second to none, making her vocal ability and musicianship right up there with Annie Lennox as one of the top two female musical virtuosos in Britain.

Take a listen to… Emily Jardine

Posted in Female Vocalists with tags , , , , , , , , , , , , , , , , on August 2, 2013 by Ain't No Other Tan

This is a post I thought I’d do about my best friend, Emily, who has been singing pretty much all her life, that I think all of you reading this should a take a listen to. She’s classically-trained although for most of her professional singing career she has sung pop, rock and jazz songs with cover bands as well as with a gospel choir to improve her skills in harmonies and her coloratura abilities (fancy word for the technique of being able to execute complex riffs, runs, trills, wide leaps, etc. with ease).

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Voice type: Lyric soprano

Range: Approximately 4 octaves

Emily’s musical and vocal inspirations are varied across many genres – from pop and R&B, to rock and jazz and from gospel to opera – and include Mariah Carey, Whitney Houston, Céline Dion, Beverley Knight, Ella Fitzgerald, Erykah Badu, Adele, Leona Lewis, Emeli Sandé, Queen, The Killers, Spanish opera singer Montserrat Caballé, Yolanda Adams and various other gospel singers, among others. With a vocal range that spans over 4 octaves, Emz possesses the ability to belt into the lower sixth octave (a la Patti Labelle-ish) and use whistle register (though rarely does or needs to do either) but through her great technique manages to maintain the same gorgeous, warm tonal quality, good support and resonance throughout each register and her whole range, particularly her head voice. Check out the video below of her singing her first solo with the Reading Community Gospel Choir for the “Sister Act 2” version of “Joyful Joyful”, as originally performed by Lauryn Hill.

Also take a look at her profile on StarNow for more information and a small selection of other clips that show off her voice and versatility as well as give you a taste of her large repertoire, from singing “Ave Maria” to “Skyfall” and from “Sweet Home Alabama” to “I Have Nothing”.

Vocal Spotlight: Come As You Are by Beverley Knight

Posted in Female Vocalists, Live Performances, Music, Songs with tags , , , , , , , , , on July 11, 2013 by Ain't No Other Tan

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Beverley Knight has always been one of my favourite female vocalists with her amazing voice that could put the likes of Adele and Leona in their seats and a strong gospel-influenced sound and soulful flavour to her music. It’s always baffled me at how she is still so underrated and relatively unknown throughout even the UK, let alone the world, compared to them and others.

Of her many songs that feature elements of pop, gospel, soul, funk, jazz and blues music, 2004’s “Come As You Are” (no, not the Nirvana song) – from the album “Affirmation” – is one of my favourites and is probably her biggest hit to date (it peaked at No.9 in the UK) alongside “Shoulda Woulda Coulda”, “Keep This Fire Burning” and her version of Erma Franklin’s “Piece Of My Heart”. This upbeat, rock-tinged soul and funk song, co-written by Robbie Williams’ right-hand man Guy Chambers, is reminiscent of old-school James Brown, with a more modern feel to it that fitted well, commercially speaking. When you listen to the song you can’t help but want to sing, clap and tap your feet along with it, particularly the middle eight, which has gospel shouts that hark back to Knight’s roots, and she really gets into it and gives it her all when she performs it live (see below). “Summer’s begun” the lyrics say, and yes, it really is a brilliant, soulful summer track. However, it’s her vocals that really shine throughout and prove her prowess and talent as one of Britain’s best – I mean, check out the G#5 she belts out with perfect technique, a great tone, as well as clarity, resonance and a lot of power that even Jessie J would be in awe of, for proof of her abilities.

And lastly, check out this amazing remix with a new vocals that she did and hits an effortless A5. Need I say or show you more?