Archive for Leona Lewis

Take a listen to… Emily Jardine

Posted in Female Vocalists with tags , , , , , , , , , , , , , , , , on August 2, 2013 by Ain't No Other Tan

This is a post I thought I’d do about my best friend, Emily, who has been singing pretty much all her life, that I think all of you reading this should a take a listen to. She’s classically-trained although for most of her professional singing career she has sung pop, rock and jazz songs with cover bands as well as with a gospel choir to improve her skills in harmonies and her coloratura abilities (fancy word for the technique of being able to execute complex riffs, runs, trills, wide leaps, etc. with ease).

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Voice type: Lyric soprano

Range: Approximately 4 octaves

Emily’s musical and vocal inspirations are varied across many genres – from pop and R&B, to rock and jazz and from gospel to opera – and include Mariah Carey, Whitney Houston, Céline Dion, Beverley Knight, Ella Fitzgerald, Erykah Badu, Adele, Leona Lewis, Emeli Sandé, Queen, The Killers, Spanish opera singer Montserrat Caballé, Yolanda Adams and various other gospel singers, among others. With a vocal range that spans over 4 octaves, Emz possesses the ability to belt into the lower sixth octave (a la Patti Labelle-ish) and use whistle register (though rarely does or needs to do either) but through her great technique manages to maintain the same gorgeous, warm tonal quality, good support and resonance throughout each register and her whole range, particularly her head voice. Check out the video below of her singing her first solo with the Reading Community Gospel Choir for the “Sister Act 2” version of “Joyful Joyful”, as originally performed by Lauryn Hill.

Also take a look at her profile on StarNow for more information and a small selection of other clips that show off her voice and versatility as well as give you a taste of her large repertoire, from singing “Ave Maria” to “Skyfall” and from “Sweet Home Alabama” to “I Have Nothing”.

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Top Ten Favourite British Female Vocalists

Posted in Female Vocalists with tags , , , , , , , , , , , , , on March 5, 2013 by Ain't No Other Tan

After my list of twenty favourite female vocalists, I have now completed a list that focuses on British females. Again, those on the list were chosen and ranked based on my own opinion and looks at the ladies’ timbre, vocal ability, power, versatility and live performances.

1) Beverley Knight

Beverley-Knight

Type: Coloratura mezzo

She may be highly underrated but Beverley is an amazingly talented vocalist, whose style is rooted in gospel singing. She has an incredible range, great technique and is a very powerful belter, giving it her all in all her performances, and is very much like a younger, British version of Aretha Franklin. It’s such a shame she isn’t as widely recognised when she is far superior than the likes of Adele and Leona Lewis.

2) Annie Lennox

Annie-Lennox

Type: Coloratura contralto

Annie Lennox’s musicality is astounding; classically trained with an almost operatic-like singing voice (she’s a contralto but has a phenomenal range for one), she is not only a very skilled technical singer but also an emotive one. She has a very rich and warm tone to her voice but her high notes are also very full and clear, and she could definitely show some of the younger generation how it’s done!

3) Gabrielle

Gabrielle

Type: Low lyric mezzo

What I liked about Gabrielle’s voice, which reminded me a lot of Mary J Blige and Macy Gray rolled into one – like a British version of both of them, was the sweet and soothing yet raspy tone to it, and the cool edge she had to her sound and music.

4) Heather Small

Heather-Small

Type: Lyric contralto

Astonishingly deep and extremely rich, Heather Small’s powerful gospel-influnced voice is distinctive and full of soul. Her voice may not be to everyone’s taste but there’s something about her that makes me love the bombast way in which she sings.

5) Jessie J

Jessie-J

Type: Spinto soprano

Jessie J is a vocal beast and definitely one of the best young singers in the UK out there today (well, there aren’t many to compare with… I mean, look at Ellie Goulding, for example). Sometimes her vocal styling isn’t to everyone’s taste and her upper belts can be rather screechy but overall she has a great technique and there is a lot of power in her voice.

6) Adele

Adele

Type: Low lyric mezzo

A deep, rich and soulful voice, Adele certainly knows how to deliver her songs well with a lot of emotion (even if they are all very similar and monotonous). Although I don’t think she’s as phenomenal as a lot of people seem to believe her to be, she’s certainly great at what she does, so let’s see if in the long run her recovery from vocal surgery and after quitting smoking she further improves.

7) Leona Lewis

Leona-Lewis

Type: Light lyric soprano

A very sweet voice (almost too sweet perhaps, sometimes), Leona made a name for herself trying to impersonate her idols Whitney and Mariah on The X Factor. However, when she broke away and did her own thing and didn’t attempt iconic songs that were too big for her to handle, she really exceeded. She has a impressive range and the best parts of it are her pretty falsetto and head voice.

8) Jamelia

Jamelia

Type: Lyric soprano

Another underrated singer and of the last proper British female R&B singers, Jamelia deserves more recognition than she gets, especially when it comes to the ballads she recorded, where her real talent for singing and her and gorgeous tone shone through.

9) Joss Stone

Joss-Stone

Type: Lyric mezzo

I could never tell whether the way Joss Stone sings is actually her real voice or just totally fake, which was slightly annoying, but either way she is good singer and an emotive one at that and one of the first pioneers of British blue-eyed soul singers since 2000 onwards.

10) Amy Winehouse

Amy-Winehouse

Type: Contralto/low lyric mezzo? (debated)

The thing about Amy Winehouse’s voice is that you could never tell if she was drunk or sober or not at the time of singing, whether it was in the studio or live, yet at the same time she had a very compelling voice that told the story of her songs with a lot of emotion. She was far off from being a great vocalist, especially when she definitely wasn’t in the best of health due to alcohol, smoking, drugs and other illnesses, but there was certainly something about her that was interesting, particularly her rich, almost sickly sweet lower register and drawl.